Back in the 1960s, a small firm in Hong Kong, the Great Wall Plastics Factory, created a dirt-cheap 120 camera called the Diana. Crafted entirely of plastic, each camera cost about a dollar. As a mainstream product, the Diana was pretty much a failure, and was discontinued in the 1970s. But like any superstar cut down in their prime, the Dianas posthumous appeal skyrocketed. As a cult artistic tool of avant-garde and lo-fi photographers, it was a rousing success! They loved its soft & dreamy images, super-saturated colors, unpredictable blurring, and random contrast. Diana shots are raw & gritty, with a character all their own. They simply cannot be duplicated by any other camera on Earth! In short order, the Diana rose to prominence as one of the most treasured and sought-after cult analog cameras from the late 70s onward. Dating back to the early 1960’s, the all-plastic Diana camera is a cult legend - famous for its its dreamy, radiant, and lo-fi images. Our brand new Diana+ is a faithful reproduction and a loving homage to the classic Diana - with a few new features tossed in. Its plastic lens, 2 shutter settings (daylight & “B”), 3 aperture settings, and manual focus are all hallmarks of the original Diana. But on top of that, the Diana+ offers a removable lens and super-small aperture for pinhole images, two image formats (12 or 16 square shots on a standard 120 roll), an endless panorama feature that allows for unlimited and nearly seamless panoramic shots, and both a standard tripod thread & shutter lock for easy shake-free long exposures.
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Back in the 1960s, a small firm in Hong Kong, the Great Wall Plastics Factory, created a dirt-cheap 120 camera called the Diana. Crafted entirely of plastic, each camera cost about a dollar. As a mainstream product, the Diana was pretty much a failure, and was discontinued in the 1970s. But like any superstar cut down in their prime, the Dianas posthumous appeal skyrocketed. As a cult artistic tool of avant-garde and lo-fi photographers, it was a rousing success! They loved its soft & dreamy images, super-saturated colors, unpredictable blurring, and random contrast. Diana shots are raw & gritty, with a character all their own. They simply cannot be duplicated by any other camera on Earth! In short order, the Diana rose to prominence as one of the most treasured and sought-after cult analog cameras from the late 70s onward. Dating back to the early 1960’s, the all-plastic Diana camera is a cult legend - famous for its its dreamy, radiant, and lo-fi images. Our brand new Diana+ is a faithful reproduction and a loving homage to the classic Diana - with a few new features tossed in. Its plastic lens, 2 shutter settings (daylight & “B”), 3 aperture settings, and manual focus are all hallmarks of the original Diana. But on top of that, the Diana+ offers a removable lens and super-small aperture for pinhole images, two image formats (12 or 16 square shots on a standard 120 roll), an endless panorama feature that allows for unlimited and nearly seamless panoramic shots, and both a standard tripod thread & shutter lock for easy shake-free long exposures.
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The world’s greatest compact Fisheye camera is now more amazing than you ever thought possible! Not only does it have same 180-degree wide-angle view & stunning fisheye barrel distortion, but the Fisheye No. 2 adds a bulb setting for long exposures, a switch for multiple exposures on the same frame, the ability to fire both a hotshoe flash & the built-in flash, a true fisheye viewfinder, & a “full metal jacket” body treatmentWith this new arsenal, the possibilities for your Fisheye lomography are endless! Uses normal 35mm film that can be developed anywhereFeatures:”B” (Bulb) settingBy holding down the shutter button with your finger, you can keep the shutter open for as long as you like thereby inviting all the gorgeous ambient light outside to come on in. To close the shutter, merely release the button”LNB” variable exposure switchUse this to control your Fisheye 2’s shutter timing. ” L” locks the shutter so itcan’t accidentally fire. “N” shoots a normal, instant exposure (1/100 sec, f/8). “B” or “bulb” selects Fisheye 2’s long exposure capabilities as detailed aboveStandard Flash Hotshoe & Built-In Electronic FlashUse this to sync a Lomographic Colorsplash Flash or any other manual hotshoe flash to your Fisheye 2. The flash will fire when you hit the shutter release. You can also use the internal (built-in) flash as wellMultiple Exposure Switch (MX)This allows you to take two or more sho
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One single shot produces 9 identical images on one print - instantaneously transforming the environment around you into explosions of pattern-repeating pop-art. Shapes, angles, and bulges engage each other between the 9 repeating frames, producing a simply amazing photographic wallpaper of images. The Pop 9’s metallic gold skin perfectly complements the most fashionable of looks, and its built-in flash allows for gorgeous results in low-light and nocturnal activities.

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One single shot produces 9 identical images on one print - instantaneously transforming the environment around you into explosions of pattern-repeating pop-art. Shapes, angles, and bulges engage each other between the 9 repeating frames, producing a simply amazing photographic wallpaper of images. The Pop 9’s metallic gold skin perfectly complements the most fashionable of looks, and its built-in flash allows for gorgeous results in low-light and nocturnal activities.

Every picture tells a story when you take it with this funky photographic tool. The Oktomat rapidly fires through 8 tiny lenses in serial succession over a span of 2 seconds. The 8 frames are composed together, producing a mini photo vignette of each print. A lomographic camera that begs experimentation and creativity, the multi-frame format captures movement in interesting, pop-art ways. To get a sweeping close up of stationary subjects, move the camera toward the subject while clicking the shutter. Moving subjects call for good framing, which you master as you go. The flash-free camera requires sun lighting for best results and uses standard 35mm film (and standard processing). Includes wrist strap and full instructional brochure. Collapsible viewfinder. No focusing. Imported. 4.38×3x1.25″.

The world’s greatest compact Fisheye camera is now more amazing than you ever thought possible! Not only does it have same 180-degree wide-angle view & stunning fisheye barrel distortion, but the Fisheye No. 2 adds a bulb setting for long exposures, a switch for multiple exposures on the same frame, the ability to fire both a hotshoe flash & the built-in flash, a true fisheye viewfinder, & a “full metal jacket” body treatmentWith this new arsenal, the possibilities for your Fisheye lomography are endless! Uses normal 35mm film that can be developed anywhereFeatures:”B” (Bulb) settingBy holding down the shutter button with your finger, you can keep the shutter open for as long as you like thereby inviting all the gorgeous ambient light outside to come on in. To close the shutter, merely release the button”LNB” variable exposure switchUse this to control your Fisheye 2’s shutter timing. ” L” locks the shutter so itcan’t accidentally fire. “N” shoots a normal, instant exposure (1/100 sec, f/8). “B” or “bulb” selects Fisheye 2’s long exposure capabilities as detailed aboveStandard Flash Hotshoe & Built-In Electronic FlashUse this to sync a Lomographic Colorsplash Flash or any other manual hotshoe flash to your Fisheye 2. The flash will fire when you hit the shutter release. You can also use the internal (built-in) flash as wellMultiple Exposure Switch (MX)This allows you to take two or more sho